
CRTX
by Plugin LyfeX
CRTX is a reactive CRT simulation plugin for Adobe After Effects and Premiere Pro from Plugin LyfeX. It redraws every frame like a beam painting it, responding to your footage's motion, luminance, and edges.
by FilmConvert·VFX
Images © FilmConvert. Used for product review; image policy.
Hazy earns its place in the toolfarm library as a standalone diffusion tool that fits into any of its supported hosts, pairing ready-made mist presets with custom response controls for shaping the glow.
FilmConvert Hazy is a diffusion plugin that brings the effect of shooting with mist filters into post. It diffuses strong light in your footage to create a soft, dreamy look, softening bright areas, smoothing uneven skin tones and adding bloom to strong light sources. It runs as a standalone plugin that can be used with any workflow.
The plugin ships with a range of presets based on mist filter styles, each with strength options that control the spread and intensity of the effect. Filter size shapes the result: a smaller size concentrates bloom more tightly around bright light sources, while a larger size spreads a softer glow across the whole image. The glow also reduces the sharpness and contrast that comes with shooting digitally.
For finer control, Hazy includes custom response controls that determine the rolloff of the effect. The response graph adapts to your chosen filter style, letting you carve out where the effect is most prominent. On skin, it softens and smooths uneven tones, reduces the appearance of redness or blemishes, and diffuses shiny highlights into the surrounding areas.
FilmConvert Hazy is best for filmmakers who want the look of diffusion mist filters applied in post, for a soft, dreamy glow and smoothed skin tones.
FilmConvert Hazy is completely free to download and use.
FilmConvert Hazy is available as plugins for Adobe Creative Cloud 2018 and later, DaVinci Resolve 16 and later, and Final Cut Pro 10.6.1 and later. On macOS, the Adobe and Resolve versions require macOS 10.15 or newer, while the Final Cut Pro version requires macOS 11.5.1 or newer. The Windows builds for the Adobe and Resolve versions run on Windows 10 or 11. Check the FilmConvert developer's page and installation guide to confirm the right build for your host application.
FilmConvert Hazy is Apple Silicon compatible across its Adobe, DaVinci Resolve and Final Cut Pro versions. On macOS, the Adobe and Resolve plugins require macOS 10.15 or later, while the Final Cut Pro plugin requires macOS 11.5.1 or later. One note on older hardware: Intel Iris Pro graphics from around 2014 are not supported, so some very old machines may fall outside the requirements even when the operating system version matches.
FilmConvert Hazy uses GPU acceleration. On Windows, the Adobe version needs CUDA 10.1 or later or OpenCL 1.1 or later, and the DaVinci Resolve version needs OpenCL or CUDA. Systems running Intel Iris Pro graphics from around 2014 are not supported. If your GPU and drivers meet the CUDA or OpenCL requirements listed for your host application, Hazy should run as expected.
FilmConvert Hazy uses filter size to control how its glow spreads. Choosing a smaller filter size produces a bloom effect that is more tightly concentrated around bright light sources, while a larger filter size creates a softer glow across the whole image. Alongside filter size, Hazy offers custom response controls that determine the rolloff of the effect, with the response graph adapting to your chosen filter style so you can shape where the effect is most prominent.
FilmConvert Hazy is listed as free in this catalog. Pricing and licensing can change over time, so check the FilmConvert developer's page for the current terms before downloading. Hazy is a standalone plugin that can be used with any workflow, with versions for Adobe Creative Cloud, DaVinci Resolve and Final Cut Pro, so you can add it to your chosen host application once installed.
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CRTX is a reactive CRT simulation plugin for Adobe After Effects and Premiere Pro from Plugin LyfeX. It redraws every frame like a beam painting it, responding to your footage's motion, luminance, and edges.

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