Color Grading for DaVinci Resolve

Fader DCTL is a film-style fade built as a DCTL for DaVinci Resolve editors, creating cinematic transitions from a single slider. It comes from developer Nikita Petrovich and is available through aescripts.

Simple Mix DCTL is an axis-based color grading DCTL for DaVinci Resolve Studio. It builds palettes and split-toning and applies clean saturation without destroying shadows, using a two-slider Squeeze and Axis workflow.

Stone DCTL brings slider-based curves to DaVinci Resolve. It lets you adjust the middle gray point while keeping curve shapes, work RGB channels separately, and control the Luminance curve, all through sliders.

Dither is a dithering DCTL from Nx Color for DaVinci Resolve, delivering 1-bit and color dithering. It adds Bayer matrix control, adjustable intensity, and a posterization option through sliders and combo box options.

FX Grainny DCTL brings a graphic novel style to DaVinci Resolve, transforming footage with grain shading and high-contrast art effects. It builds its look from posterization and pixel mix controls, with adjustable grain and texture blending.

ColorVSN applies colormap styles to footage in After Effects, DaVinci Resolve, and Premiere Pro, transforming grayscale data into rich imagery and working as a color grading tool with blend modes.

FlexiMist is a GPU-accelerated DCTL diffusion plugin for DaVinci Resolve from Nx Color. It produces a misty, glowing, dreamy look reminiscent of classic diffusion filters, working across Resolve 18 and 19.

Nx ArtGrade - DCTLs and PowerGrades is a DaVinci Resolve toolkit from Nx Color, combining DCTL tools and PowerGrades for artistic effects that transform images and videos. Version 2.0 supports macOS and Windows.

Styler Durden DCTL brings millions of adjustable looks to DaVinci Resolve, built entirely from two tools — Simple Mix DCTL and Stone DCTL — and usable across every color space including DaVinci Wide Gamut, ACES and Sony S-Log3.

Surgeon DCTL is a simple tool for analyzing images in DaVinci Resolve, built to work with the software's scopes. Distributed as a DCTL, it's compatible with DaVinci Resolve versions 16 through 21.

Autokroma BRAW Studio brings Blackmagic RAW files into After Effects, Premiere Pro, Media Encoder and Audition, and includes a stand-alone desktop app to play and grade .braw footage using the same RAW color parameters found in DaVinci Resolve.

Nx 3-Strip brings a Technicolor Process IV reconstruction to DaVinci Resolve, built from film physics rather than LUTs. It reproduces the color separation, dense saturation and dimensional look associated with three-strip film.

timeinpixels Nobe LutBake captures DaVinci Resolve color corrections as a portable .cube 3D LUT file with a single keystroke. It works with DaVinci Resolve Studio on macOS, exporting LUTs for any LUT-compatible tool.

ColorTwist for DaVinci Resolve is a bundle of Look Development DCTLs from Nx Color. It groups four tools for shifting hues, controlling saturation and luminance, and adding density to colors.

RE:Vision Effects RE:Match brings automatic color and texture matching to After Effects, DaVinci Resolve, and Premiere Pro. It transfers the color and tone of one image onto another to address the problems of multicam and stereo shoots.

timeinpixels False Color is a false color plugin for After Effects, DaVinci Resolve and Premiere Pro. It offers customizable color ranges, 13 presets, and 3D LUT export for exposure and saturation matching across supported hosts.

FilmConvert CineMatch brings camera-based color grading to DaVinci Resolve and Premiere Pro, using Sensor Matching technology to match footage from over 70 camera makes and models and apply REC.709 transforms with a single click.

Nobe OmniScope by timeinpixels brings professional video scopes to After Effects, DaVinci Resolve, and Premiere Pro. It offers 19 scope types, multiple input support, colour management via OpenColorIO, and advanced quality control tools.

FilmConvert Halation is a standalone plugin for After Effects, DaVinci Resolve and Premiere Pro that adds a red glow around bright parts of footage, mimicking where halation would naturally occur if shot on film.

FilmConvert Nitrate for OFX brings film stock emulation and grain to DaVinci Resolve, with 19 motion and still film stocks scientifically built to match your camera's sensor for authentic film looks when grading.

Auto Balancer is a color-balancing plug-in for After Effects, Premiere Pro, and DaVinci Resolve that handles white balance, color temperature, and tint adjustments to remove unwanted color casts and simulate different lighting conditions.

Hawaiki Hue Finesse is a color plug-in for After Effects, DaVinci Resolve and Premiere Pro that provides targeted color and exposure correction across eight distinct hue bands, with advanced control over the mask defining each band.

Luca Visual FX Film Lo-Fi Look is an effect for DaVinci Resolve that creates vintage looks and moody, surreal atmospheres. It includes an optional customizable frame border and a range of parameters for building your own look.

NewBlue Filters Ultimate brings NewBlue's full suite of Filters products to After Effects, DaVinci Resolve and Premiere Pro, bundling 27 color-enhancing filters and effects with over 250 presets across four plugin collections.